An inner power of discrimination

All artistic work in order to be perfect must indeed have in the very act of creation the guidance of an inner power of discrimination constantly selecting and rejecting in accordance with a principle of truth and beauty which remains always faithful to a harmony, a proportion, an intimate relation of the forms to the idea; there is at the same time an exact fidelity of the idea to the spirit, nature and inner body of the thing of beauty which has been revealed to the soul and the mind, its svarupa and svabhiiva.

Therefore this discriminating inner sense rejects all that is foreign, superfluous, otiose, all that is a mere diversion distractive and deformative, excessive or defective, while it selects and finds sovereignly all that can bring out the full truth, the utter beauty, the inmost power. But this discrimination is not that of the critical intellect, nor is the harmony, proportion, relation it observes that which can be fixed by any set law of the critical reason; it exists in the very nature and truth of the thing itself, the creation itself, in its secret inner law of beauty and harmony which can be seized by vision, not by intellectual analysis.

The discrimination which works in the creator is therefore not an intellectual self-criticism or an obedience to rules imposed on him from outside by any intellectual canons, but itself creative, intuitive, a part of the vision, involved in and inseparable from the act of creation. It comes as part of that influx of power and light from above which by its divine enthusiasm lifts the faculties into their intense suprarational working.

When it fails, when it is betrayed by the lower executive instruments rational or infrarational, - and this happens when these cease to be passive and insist on obtruding their own demands or vagaries, - the work is flawed and a subsequent act of self-criticism becomes necessary. But in correcting his work the artist who attempts to do it by rule and intellectual process, uses a false or at any rate an inferior method and cannot do his best. He ought rather to call to his aid the intuitive critical vision and embody it in a fresh act of inspired creation or re-creation after bringing himself back by its means into harmony with the light and law of his original creative initiation. The critical intellect has no direct or independent part in the means of the inspired creator of beauty...Page - 131

For the conscious appreciation of beauty reaches its height of enlightenment and enjoyment not by analysis of the beauty enjoyed or even by a right and intelligent understandiJ1g of it, -these things are only a preliminary clarifying of our first unenlightened sense of the beautiful, - but by an exaltation of the soul in which it opens itself entirely to the light and power and joy of the creation. The soul of beauty in us identifies itself with the soul of beauty in the thing created and feels in appreciation the same divine intoxication and uplifting which the artist felt in creation.

Criticism reaches its highest point when it becomes the record, account, right description of this response; it must become itself inspired, intuitive, revealing. In other words, the action of the intuitive mind must complete the action of the rational intelligence and it may even wholly replace it and do more powerfully the peculiar and proper work of the intellect itself; it may explain more intimately to us the secret of the form, the strands of the process, the inner cause, essence, mechanism of the defects and limitations of the work as well as of its qualities.

For the intuitive intelligence when it has been sufficiently trained and developed, can take up always the work of the intellect and do it with a power and light and insight greater and surer than the power and light of the intellectual judgment in its widest scope. There is an intuitive discrimination which is more keen and precise in its sight than the reasoning intelligence. Page-127, Document: Home > E-Library > Works Of Sri Aurobindo > Social And Political Thought Volume-15 > The Suprarational Beauty