Savitri Era of those who adore, Om Sri Aurobindo and The Mother.

Saturday, June 06, 2009

Spellbound expressions of Rasa have been truthfully bought out by Sangeeta Dash

Photo Exhibition of Indian Classical Dance forms
by Dr. Susil Pani, Sri Geetagovinda Pratisthana, Puducherry
7th - 30th March, 2009
at the art gallery of DakshinaChitra
e-mail: raghuclinic@yahoo.com

The photo exhibit on Indian classical dances begins with Shiva and Parvati in Ardhanarieswara in Odissi style, denoting that the manifest (Parvati) and the unmanifest (Shiva) are one and can not be separated. Next to it is Shiva in his supreme Ananda Tandava Murti, again in Odissi, Shiva as Nataraja is the cosmic dancer and is the source of all art forms including all dance, theater, music poetry, painting etc. A brief write-up about Nataraja inspires the viewer at the entrance of the exhibition hall. As soon as one enters inside the rasika is invited by an offering of pushpanjali (flower offering) by Sangeeta Dash to Shakti (Durga) without whom even Shiva can not manifest.

The artist tries to immerse the rasika into the RASA of life with a splendid presentation of Navarasa, the nine rasa with a brief description of each rasa. The spellbound expressions of Rasa have been truthfully bought out by none other than Sangeeta Dash, foremost Odissi dancer. The Odissi section continues with a rare presentation of Bhramari, again by Sangeeta Dash, frozen in eternity by the artist (usually seen and easily captured in Kathak but never yet presented in Odissi) Sangeeta Dash's dedication and personal care to details even for her students are beautifully captured in two photos she is seen doing makeup for a little girl. Sonal Mansingh is seen at the end of the Odissi section in classic sculpturesque posture. At the beginning of each section a very brief description of the style of Indian classical dance is well written for the lay person.

The next series on Bharatanatyam is complete in itself with Shiva in Ananda Tandava, a beautiful child artist in classic posture, Chitra Visweswaran as Sakhi of Radha trying to persuade her to go to Krishna for Rasakrida is also seen.

Radha forms and symbolizes 'Complete Surrender' to her lord, the lord of the universe 'Sri Krishna' which forms the essence of true love, is presented in three pictures of Manipuri Dance. Rani Kannam, the doyen of Kathak dance graces the exhibition by her total devotion to the Lord. Sobhana Narayanan is the leading contemporary Kathak dancer is seen as the "Abhimanaini". There are few more pictures of Kathak showing the essence of the art form both the science and the art of it as movements, Radha and Krishna, Ardhanarieswara etc.

Kuchipudi dance from Andhra Pradesh transports the viewer to different moods of love, happiness etc. The graceful dance of lord Vishnu as MOHINI has been most beautifully presented by none other than Shivaji Bharati in Mohiniattam. The last photo symbolizes that all Indian classical dances may appear to be different in costume; makeup style and presentation etc. but essentially are one, as the source is only The Divine. Three great artists Kiran Segal from Odissi, Shivaji Bharati from Mohiniattam and Shobana Narayanan from Kathak have come together in a classical dance posture at the end of the exhibit. All Indian dances are essentially spiritual in nature trying to represent the divine and its manifestations in its myriad forms. The artist has made a sincere attempt to present his own quest for Moksha in this exhibition. Home 4:36 PM

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